Shivkumar Sharma: A Sound Of Spirituality From The Valley


Pandit Shivkumar Sharma, the maestro who etched a picture of the Kashmir Valley and a legitimate of spirituality each time he struck a chord on his santoor, transcended for a divine live performance on Tuesday.

A logo of the Shaivite and Sufi custom of Jammu & Kashmir, the Padma Vibhushan toiled to make the people software appropriate at the classical firmament. When critics mentioned santoor was once now not are compatible for the meends and gamaks, Sharma made it imaginable via his striker, with out indulging in any fancy experiments. A grasp of each ragdaari and riyaz, his solo concert events drew crowds and his discs broke data. Over the years, santoor and Shivkumar Sharma become synonymous.

If his charismatic personality raised the heartbeats, his elegant santoor invariably soothed the frayed nerves of the town dwellers. He would etch pictures of the breeze caressing the grass within the valley, of flocks of sheep grazing, and a shepherd assembly a tender lady within the shikara, all on his modest software this is mentioned to have emerged from Shahtha Tanti Veena and later got here beneath the spell of Sufi song.

Born in Jammu to musician Uma Dutt Sharma, who labored in All India Radio, Sharma began as a tabla participant however his father sought after him to take in santoor and realise its doable.

An introvert, santoor suited Sharma as a result of its comfortable, non secular attraction that doesn’t search consideration. He had the uncommon skill to split the person from the artist and possibly this is why he may just critique his efficiency, even if he was once taking part in on degree. Claps by no means mattered to him as as soon as his santoor was once tuned for the night time, Sharma would develop into one with himself. He would steadily say, an artist must develop into a drashta (onlooker) on degree and would advise the target audience to concentrate and now not applaud for the stature of the artist.

Bollywood connection

Though he may just invoke the entire ragas, Sharma’s favourites had been those who evoked romance and its pathos, like Jhinjoti. Perhaps, that’s why filmmaker Yash Chopra grew to become to him and flutist Hariprasad Chaurasiya for composing song when he made a shift from motion to romantic motion pictures.

From Silsila to Darr, the duo tuned a tender India to the theory of affection and separation, by no means hurting the feelings of the purists, seldom leaving the commoner out in their canvas. Be it “Dekha Ek Khwab” or “Jadoo Teri Nazar”, the song is sufficient to make the hearts cross aflutter. Their people compositions like “Rang Barse” and “Mere Haatho Main” proceed to be in nice call for throughout gala’s and weddings.

Sharma and Chaurasiya met within the past due Nineteen Fifties and regularly struck a bond that led to a massively standard album Call of the Valley that spurred a craze for instrumental song and resulted in different copycats. Both performed candy tools that wanted house at the classical podium. Both contributed to background song in motion pictures and had been in call for however each sought after extra from existence.

Sharma began his occupation with V. Shantaram’s Jhanak Jhanak Payal Baje. He was once even introduced an performing section via Khwaja Ahmad Abbas however the pull of the glamour global was once now not sufficient to wipe off the promise he made to his father.

Jovial facet

A person of measured phrases, Sharma carried a regal air of secrecy round him. The coiffure that created a type of halo round him was once possibly impressed via Sathya Sai Baba whom he adopted.

Sharma had a jovial facet too however he spread out most effective to those that had been a part of his interior circle. For the lackeys that include repute, the message was once transparent: this some distance and no additional. Journalists needed to be ready sooner than they might way him and he may just pass judgement on his target audience via their frame language. During a Mumbai live performance, when the host requested what raga he would play, the maestro mentioned, “what’s in a reputation, simply shut your eyes and concentrate.”

But, he was once at all times open to the seeker. As a tender guy, he traveled around the nation in a personalized bus with fellow musicians to grasp his nation and take classical song to the hundreds.

He beloved his meals however now not at the price of follow. When in a temper, he would finally end up eating chilly meals. Those on the subject of him say that once they despatched him his favorite fish, it was once with the be aware that he must warmth it sooner than eating it.

Sharma can be remembered for taking santoor out of Kashmir and making it an international phenomenon. His son Rahul would take ahead his legacy however that bewitching smile that surfaced on his face each time he were given the proper solution to the query he posed to the tabla accompanist will stay etched within the reminiscence of song fanatics.



Source link

Leave a Reply